Friday, October 28, 2016
Brahms\' Funf Ophelia Lieder
Song 1: Wie erkenn ich dein Treulieb\nThe replete(p) vocal is only when 42 seconds and there is non much change bar-to- shoemakers last the magic spell either. Brahms wanted his entire Lieder to be simple and that shows in this piece. In this song, it shows the structure on AAAA. The tonal pattern and rhythm of for each one cable television in the song is extremely similar. The only inconsistency in each store is the rhythm of the last cadency. In the third system it says He is unawares and gone, lady, He is dead and gone.  When sung in German the last word is Fräulein (Lady) which is stressed by the absence of the syncopated rhythm that is commonly there. The change in the melody consists of the twain nones at the end of the develop either discharge up a quaternary or going buck a third. There is similarly a change in tempo from one measure to the next in each line. In the A lines, there is a ritardando at the end of each phrase. There is not much dynamic air at all end-to-end the entire song early(a) than a few decrescendos. The computer backup in this piece follows the vocalizer and plays almost the same contain melody as what is beingness sung. The lyrics to this piece are talk about someone who has died and the woman who is mourning him. At his drumhead a grass kilobyte turf, at his feet a stone.  I imagine this means that he has been buried.\n\nSong 2: Sein Leichenhemd Weiss wie Schnee zu sehn\nThis piece is besides extremely diddle with only 30 seconds in length. This piece is only both lines. The rhythmic difference in the midst of the two lines is that the first line is much more arrhythmic  with the dotted notes than the flowing tied(p) eighth notes. Brahms emphasizes the words blumen (flowers)  and liebes (love) with the enjoyment of melismas on both. Each phrase begins with a crescendo and thence decrescandos to the end. There is a unforesightful bit of ritardando on the very last two notes of the piece. The lyrics to this piece continue to come up to of a mans grave, but it also mentions the sweetness of nature and the truelove of the mo...
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