Death is a conclusion that all men mustiness r severally. It is a fate that he cannot escape and an competitor he cannot defeat. In Sophocles Antig iodine, the Chorus dedicates its commencement ceremony ode to humans victories and its supreme exposure: death. The choral ode is dissever into foursome sections: Strophe I, Antistrophe I, Strophe II, Antistrophe II, each focusing on either mans strengths, weaknesses, accomplishments, and consequences his actions yield. In Strophe II, the chorus elaborates on the triumphs man has achieved, but confesses that man has the indispensable destiny of death. In the five translations of the stolon choral ode imperturbable by Fitts &type A; Fitzgerald, Richard Emil Braun, H.D.F. Kitto, Elizabeth Wyckoff, and Paul Roche, there are nuances in such areas as format, language, and connotation in each of the translated Strophe IIs. The formats each of the five translations vary from one another. The governing of the strophe differs vi sually as well conceptually. In Fitts & Fitzgeralds translation, they chose to spell the strophe in sestet broths. The first letter of each line is capitalized, and the lines can be divided into two parts; the first set consisting of four and half lines and the succor set consisting of one and a half.
In the first set it states that man has acquire to put his thoughts into run-in to good use and can shelter itself from the arrows of snow, the spears of winter train. The second set starts from the last half of the quaternary line and continues on to state that man has learned to protect himself from all types of plagiarize except the late wind of death. In Wyckoffs translat ion, she chooses to convey the trials and tr! ibulations of man in seven lines. Unlike Fitts & Fitzgeralds translation, Wyckoffs strophe is written in four sentences... If you want to get a full essay, redact it on our website:
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