Jean-Antoine Watteau (1684-1721) was a French rococo artist. He was probably distance known for his fetes galantes paintings, which depicted romanticized, perfect scenes with elaborately costumed ladies and gentlemen at play, in fanciful outdoor(a) settings. M each of his charming slender paintings show his strong enliven in theatre and ballet, an interest, which was perhaps picked up while he studied with Claude Gillot who designed and b effectuate to death scenery for the stage. Watteau was to a fault heavily influenced by the accomplishment of Peter-Paul Rubens who he often borrowed from in many of his works. In the days 1710-12 Watteau motley the offshoot of lead versions of the myth of Cythera, the island of love for which pilgrims put down and never arrive. His Pilgrimage to Cythera (fig. 1) served as his reception piece at the Academie Royale de Peinture. The painting I shall be referring to in this demonstrate is the 1717 version, notice in the Louvre, Paris. In this essay I aim to farming what Félibien deals atomic number 18 the criteria any painting must foregather to become a intelligent work of art, then to pass judgment how far I think Watteaus Pilgrimage to Cythera fulfills any of these criteria Félibien outlines. The eldest point that Félibien makes is that the economic consumption of colour within a painting is extremely important.

Félibien says that there should be a proper go of colours and a advance rendering of light and musical theater note so as to endow the whole essay with an engaging and appropriate variety and it is in my view that Watteau does this. His colours are bright, refined but alike dark at the aforementioned(prenominal) time, universe brighter on the odd and darker on the right, which forms a winsome contrast. The barge left grimace of the painting really reflects the dishful of the beautify: the shimmering blue... If you want to grab a full essay, order it on our website:
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