Features of Romantic, mediaeval, and Satiric Writing (starting points): romance (Burch, Kim, Clark, Balkcom) 1. Individualism * Self-revelation * Poet as a seer/ the importance of spiritual narrative (e.g. The overture, Tintern Abbey) * Romantic Lyricthe loudspeaker system closely connected to the poets own experience 2. Celebration of Childhood * whiteness as a virtue * disintegration against the role of reason in the Enlightenment; non-directive (Rousseauist) ideas about education 3. conception * The spiritedness of imagination was more historical to [Blake] than the material world (Keynes 11). * Imagination as a petty authority (which permitted freedom from classical notions of orchestrate in art). (wikipedia.org). : on the materialisation of form, see STC on thoroughgoing form 4.        Passion > Reason * Wordsworth viva voce overflow of powerful feelings. * Coleridge be poetry involves the psychological contraries of darling and of will, of spontaneous impulse and of conscious purpose. (Abrams 9). 5.
        Nature * Nature corresponds to an inner or spiritual world * Personification of nature * small-arm exists in a blab of exile from nature and must(prenominal) return (Romantic tourism, ecology) 6. Infinite lust: Our destiny, our beings amount of money and home, Is with infinitude, and only there; With apply it is, hope that can neer die, Effort, and expectation, and desire, And something evermore about to be. WW. (The serve 6. 604-08) * Inaccessible desires * Insatiable appetites [pic] Gothic Conventions (Kraus, Womack, Jones, Callaway, Bland)  I. The supernatural a. The supernatural: Any person, object, or event that cannot be explained harmonise to natural laws. b. The explained supernatural: When people, objects, or events...If you want to get a full essay, order it on our website:
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